Exposure № 104: Intrapollati

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Photographer Nicolas Bruno brings us more digital work that is surreal and beautiful.

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Nicolas Bruno is a digital photographer residing in Northport, New York; a harbor community located on Long Island. Inspired by frequent episodes of sleep paralysis, Nicolas derives his surreal subject matter such as faceless figures and outlandish imagery from the experiences he gathers. He is an avid explorer, ranging from wandering the innards of abandoned psychiatric hospitals, to exploring the depths of deep forest to set the stage for his artwork. Visit his website or Flickr for more.

See his other contributions to Snake-Oil Cure here.

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Exposure № 101: Photokinesis

The second in our week of photographical posts is this fantastic black and white venture from photographer Melanie Gross.

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Melanie Gross is from Cleveland, OH and now in Phoenix, AZ.  She travels all over the country and is fortunate to be able to pursue her interests all day. Besides photography, she enjoys discovering new music. She blogs here. Her other interests include green tea, discovering swimming holes, herb gardening, mountain climbing and comedy.  She has spent much of her summer picking blackberries by a creek. 

Her posts at Dr. Hurley’s Snake-Oil Cure can be found here.

Exposure № 096: Rituals of the Lost Faith

Photographer Katerinna Ivanovic talks about her series of images:

“This series talks about the unavoidable act of taking our past with us in every move, every thought, and every step we do. We are our ancestors, we have the information of our past in our blood. We are them, we are still being  them, we are those rituals, those believers, even if we don’t want to be, or we are not conscious of it.”

 

“Antique rituals and habits like adoration, our sense of guilt, and the celebration of old saints and pre-Hispanic idols are part of many cultures, and a daughter of those culture is important for representing the damages that religion did to us, making us believe that we are lost, that we are ‘sinners’.”

“The woman is represented like a dark shadow who feels the big weight of a past that runs through her veins.”

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Katerinna Ivanovic is a  Mexican visual artist based in Italy who expresses her personal universe with media like painting, photography, writing, soft sculpture and recently also video. She is inspired by themes that have influenced her since she was a child, being part of a strong culture filled with myths, legends and magic. As she grew up, she started to study art, but also her culture and her country, traveling, exploring and showing interest and love for Anthropology and folklore to enrich her art  and make a fusion of her feelings and her roots. Her art talks about spirituality, occult sciences, alchemy, darkness but is also rich of colors and and a particular view of life and death. Her eclectic style let her to express with freedom, and without any particular tendency, making her art as primitive as modern just listening herself and the things she has to talk about. She lives and works like and artist in the North of Italy raising her two children and occasionally exhibiting her work. Her submissions to Dr. Hurley’s Snake-Oil Cure can be seen here.

Exposure № 095: And god made me a woman

Naama Sarid-Maleta’ tells us that this photo is an homage to Frida Khalo. The fish on the plates symbolize her femininity and fertility. But the background hints about her health problems, forcing  her to stay in bed a for much of her life.

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Naama Sarid-Maleta’ is an architect. She began an intense career as a documentary and conceptual photographer in Madrid (2008) and has contributed to magazines and publications in Europe and Israel. She has participated in numerous exhibitions in Ukraine, Spain and Israel. Her sustained challenge as an artist is the desire to “build dreams” in visual codes. She had developed a scheme of work based on the interaction of enforcement procedures and the organizations of architecture and a conceptual result more expressionistic and plastic in its nature. Her husband is also an architect and photographer from Cuba, and they work as a team with multidisciplinary projections.

Her other contributions to Snake-Oil Cure can be found here.

Exposure № 092: High Summer Contrast

As a photographer, Snake-Oil Cure editor EEJ is a contrast junkie. That is evident in these two photos. The contrast in the first image is due to over-bright sun and over-long developing. In the second, it’s due to low light and over-enthusiastic shadow metering.

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EEJ is founder and co-editor of Dr. Hurley’s Snake-Oil Cure. When she’s not working here, she is writing about food and photography and life at www.darbyoshea.com, noodling around on Flickr, or reading obscure German literature. Also playing with her dogs. Her posts at Dr. Hurley’s Snake-Oil Cure can be seen here.

Exposure № 091: Guérre

Juliana M. M. Soares brings us this graffiti call to poetic arms.

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Juliana M. M. Soares is a brazilian photographer, illustrator, art director and enthusiastic in many-many artistic areas. Dreams, old things and walk in the woods are some of her inspirations, coupled with her passion for analog cameras. Her submissions to Dr. Hurley’s Snake-Oil Cure can be found here.

Exposure № 058: Festivals of the Provinces II

More photography from Luca Napoli. Go here to see the first post in this series.

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Luca Napoli, a self-taught photographer, was influenced by his father, who always involved him during sessions of street photography in Taranto, his hometown. In 2006 he bought his first digital SRL and from then on he never abandoned photography. His most popular projects are Commuters and Taranto Vecchia. He is fascinated by reportage photography and always tries to put a story into a photo. His photos can be seen at his Flickr.
His contributions to Dr. Hurley’s Snake-Oil Cure can be found here.

Exposure № 057: Festivals of the Provinces I

Says Luca Napoli of this fantastic body of work:

Festivals and fairs of the provinces.  I like how the flash is able to accentuate the atmosphere probably a bit playful and grotesque… A fun experiment, walking in Gilden’s footsteps.

Stay tuned for more of these images over the next two weeks.

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Luca Napoli, a self-taught photographer, was influenced by his father, who always involved him during sessions of street photography in Taranto, his hometown. In 2006 he bought his first digital SRL and from then on he never abandoned photography. His most popular projects are Commuters and Taranto Vecchia. He is fascinated by reportage photography and always tries to put a story into a photo. His photos can be seen at his Flickr.
His contributions to Dr. Hurley’s Snake-Oil Cure can be found here.

Exposure № 041: Colourblind

From top to bottom, “Colourblind”, “Lola Montez IV”, and “Betwixt the Saddle and the Ground”

Photographer Josh Thornton tells us about his multi-layered, ghostly-real, multiple exposures:

The process involved in these works is designed to try and record an impression of my daily perception.  I shoot using a Smena camera (a vintage Russian camera which has a fully manual wind and shutter release mechanism) which allows me to shoot at very short intervals across the film by winding the crank a fraction of an inch each time, which layers to create the density evident in most of these shots.  A single 36 exposure film is exposed closer to 500 times, all from eye level, in an attempt to mimic the process of recording memories.  I started doing this over journeys I would regularly take, like the walk from my house to the train station before and after work, and then expanded this to pretty much every journey I make on public transport.  It’s a lengthy process to expose a film this heavily, typically taking a week of repeated journeys, firing shots off a few seconds apart, but I really enjoy the results.

Stay tuned for more from Josh Thornton over the coming weeks.

Exposure № 030: Tracks

Another beautiful photo by Edi Weitz. The end of a railroad track near the fish market in Hamburg, Germany – a place which is very dear to Ed. EEJ’s heart.