Check out what you missed at Snake-Oil Cure this week, with great fiction, photography, and poetry.
Monday – Poetry
Wednesday – Fiction
Friday – Photography
More to come soon!
Posted by DLR on March 3, 2013
https://snakeoilcure.wordpress.com/2013/03/03/dr-hurleys-digest-vol-ii-issue-50/
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Naama Sarid-Maleta’ is an architect. She began an intense career as a documentary and conceptual photographer in Madrid (2008) and has contributed to magazines and publications in Europe and Israel. She has participated in numerous exhibitions in Ukraine, Spain and Israel. Her sustained challenge as an artist is the desire to “build dreams” in visual codes. She had developed a scheme of work based on the interaction of enforcement procedures and the organizations of architecture and a conceptual result more expressionistic and plastic in its nature. Her husband is also an architect and photographer from Cuba, and they work as a team with multidisciplinary projections.
Her other contributions to Snake-Oil Cure can be found here.
Posted by Dr. Hurley on March 1, 2013
https://snakeoilcure.wordpress.com/2013/03/01/exposure-%e2%84%96-xxxx-clusters-of-bright-yellow-pearls-watch-them-droop/
Some good old-fashioned Snake-Oilers joined us this week: Naama, Jamie, and Zachary brought their talents to what has been a very snowy week at Snake-Oil Cure. If you’re still trapped indoors, catch up on what you missed below.
Monday – Photography
Wednesday – Poetry
Friday – Fiction
Stay tuned next week!
Posted by DLR on February 10, 2013
https://snakeoilcure.wordpress.com/2013/02/10/dr-hurleys-digest-vol-ii-issue-47/
One of our most prolific and brilliant Snake-Oilers, Naama Sarid-Maleta’ returns with two new images from a series of 11. Here’s the first, titled for a quote from Lucía Etxebarria, “Always, in the background, there is a dead queen”.
Naama Sarid-Maleta’ is an architect. She began an intense career as a documentary and conceptual photographer in Madrid (2008) and has contributed to magazines and publications in Europe and Israel. She has participated in numerous exhibitions in Ukraine, Spain and Israel. Her sustained challenge as an artist is the desire to “build dreams” in visual codes. She had developed a scheme of work based on the interaction of enforcement procedures and the organizations of architecture and a conceptual result more expressionistic and plastic in its nature. Her husband is also an architect and photographer from Cuba, and they work as a team with multidisciplinary projections.
Her other contributions to Snake-Oil Cure can be found here.
Posted by Dr. Hurley on February 4, 2013
https://snakeoilcure.wordpress.com/2013/02/04/exposure-%e2%84%96-110-always-in-the-background-there-is-a-dead-queen/
This week saw the return of two of our previous contributors, Zachary Houle, and Naama Sarid-Maleta’. Check out their posts below!
Monday – Photography
Wednesday – Fiction
Friday – Fiction
Stay tuned for more from the good doctor!
Posted by DLR on November 25, 2012
https://snakeoilcure.wordpress.com/2012/11/25/dr-hurleys-digest-vol-ii-issue-38/
Another brilliantly moody portrait by Naama Sarid-Maleta’. We love the reflections in the frames.
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Naama Sarid-Maleta’ is an architect. She began an intense career as a documentary and conceptual photographer in Madrid (2008) and has contributed to magazines and publications in Europe and Israel. She has participated in numerous exhibitions in Ukraine, Spain and Israel. Her sustained challenge as an artist is the desire to “build dreams” in visual codes. She had developed a scheme of work based on the interaction of enforcement procedures and the organizations of architecture and a conceptual result more expressionistic and plastic in its nature. Her husband is also an architect and photographer from Cuba, and they work as a team with multidisciplinary projections.
Her other contributions to Snake-Oil Cure can be found here.
Posted by Dr. Hurley on November 19, 2012
https://snakeoilcure.wordpress.com/2012/11/19/a-cemetery-of-dumb-birds/
Naama Sarid-Maleta’ shares this photo of mementos from her family before they left Baghdad for Israel in the 40s. It features the last photos her family made in Baghdad.
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Naama Sarid-Maleta’ is an architect. She began an intense career as a documentary and conceptual photographer in Madrid (2008) and has contributed to magazines and publications in Europe and Israel. She has participated in numerous exhibitions in Ukraine, Spain and Israel. Her sustained challenge as an artist is the desire to “build dreams” in visual codes. She had developed a scheme of work based on the interaction of enforcement procedures and the organizations of architecture and a conceptual result more expressionistic and plastic in its nature. Her husband is also an architect and photographer from Cuba, and they work as a team with multidisciplinary projections.
Her other contributions to Snake-Oil Cure can be found here.
Posted by Dr. Hurley on October 19, 2012
https://snakeoilcure.wordpress.com/2012/10/19/and-my-yearnings-closed-inside-me-like-bubbles-in-a-loaf-of-bread/
This week, we featured more from our Smithsonian series, as well as photography from an old favourite and great fiction from a new Snake-Oiler. Check out what you missed below.
Monday – Photography
Exposure № 095: And god made me a woman by Naama Sarid-Maleta’
Wednesday – Fiction
Eleven Plus by Alan Corkish
Friday – Smithsonian
Sergeant Redfield’s Lost Box by Andrew Zigler
Stay tuned for more goodies this week!
Posted by DLR on September 30, 2012
https://snakeoilcure.wordpress.com/2012/09/30/dr-hurleys-digest-vol-ii-issue-30/
Naama Sarid-Maleta’ tells us that this photo is an homage to Frida Khalo. The fish on the plates symbolize her femininity and fertility. But the background hints about her health problems, forcing her to stay in bed a for much of her life.
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Naama Sarid-Maleta’ is an architect. She began an intense career as a documentary and conceptual photographer in Madrid (2008) and has contributed to magazines and publications in Europe and Israel. She has participated in numerous exhibitions in Ukraine, Spain and Israel. Her sustained challenge as an artist is the desire to “build dreams” in visual codes. She had developed a scheme of work based on the interaction of enforcement procedures and the organizations of architecture and a conceptual result more expressionistic and plastic in its nature. Her husband is also an architect and photographer from Cuba, and they work as a team with multidisciplinary projections.
Her other contributions to Snake-Oil Cure can be found here.
Posted by Dr. Hurley on September 24, 2012
https://snakeoilcure.wordpress.com/2012/09/24/and-god-made-me-a-woman/
The conclusion of Naama Sarid-Maleta’s emotional series of photos dealing with the experience of going through fertility treatments and IVF. These images articulate without words the difficulty and emotional impact of this process.
My Lonely Needles, Like Tears I shed
Increase ye, and be ye multiplied, and fill ye the Earth
Increase ye, and be ye multiplied, and fill ye the Earth
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Naama Sarid-Maleta’ is an architect. She began an intense career as a documentary and conceptual photographer in Madrid (2008) and has contributed to magazines and publications in Europe and Israel. She has participated in numerous exhibitions in Ukraine, Spain and Israel. Her sustained challenge as an artist is the desire to “build dreams” in visual codes. She had developed a scheme of work based on the interaction of enforcement procedures and the organizations of architecture and a conceptual result more expressionistic and plastic in its nature. Her husband is also an architect and photographer from Cuba, and they work as a team with multidisciplinary projections.
Her other contributions to Snake-Oil Cure can be found here.
Posted by Dr. Hurley on June 23, 2012
https://snakeoilcure.wordpress.com/2012/06/23/exposure-%e2%84%96-088-increase-ye-and-be-ye-multiplied-and-fill-ye-the-earth/
Dr. Hurley's Snake-Oil Cure 